Friday, April 27, 2018

..."and we'll visit the Man in the Moon"

When you see one of those pretty, quaint yet ingenious and functional turn-of-the-century aircraft, chances are it came from this guy.
Alberto Santos-Dumont; 20 July 1873 – 23 July 1932, usually referred to as simply Santos-Dumont) was a Brazilian inventor and aviation pioneer, one of the very few people to have contributed significantly to the development of both lighter-than-air and heavier-than-air aircraft.

...

In 1904, after Santos-Dumont complained to his friend Louis Cartier about the difficulty of checking his pocket watch during flight, Cartier created his first men's wristwatch, thus allowing Santos-Dumont to check his flight performance while keeping both hands on the controls. Cartier still markets a line of Santos-Dumont watches and sunglasses.



From scientific American, 1905/10/14





And from Wikipedia (circa 1900)










When I started on this post, I immediately thought of a song a friend of mine named Jerron had introduced me to, so I did a quick Google search for the title and guess what popped up...





Thursday, April 26, 2018

The headline actually was "This chart shows every major technological innovation in the last 150 years"


Sometimes, when you've been working on a theory for a long time, you come across an example so apt, so overly on-the-nose, that it makes you doubt yourself.

Case in point, one of the theses  of the upcoming technology book is that we have collectively bought into the idea of constantly accelerating progress to such an extent that people are (consciously or unconsciously) starting to distort the historical record in order to keep that record consistent with the myth.

Among the problems you run into trying to fit a nice exponential curve to technological progress over the past 200 or so years are the substantial spikes in innovation around the late 19th/early 20th centuries and the Cold War era. The causes for these surges are complex but the short and very incomplete version is internal combustion/electricity/lucky breaks in the first case and Cold War cash/deferred demand/lucky breaks in the second.

The only way to make the data fit the curve is to drop lots of important accomplishments from the surge periods and/or greatly lower your standards for more modern accomplishments.

As I near the end of the project, I came across this:
In its recent Equity Gilt Study, which is a massive annual report by Barclays chronicling the bank's thoughts on important topics in finance and economics, the bank focused heavily on new technologies and particularly on cryptocurrencies and artificial intelligence.





I read over this list a number of times, trying to find something I had missed. I couldn't believe that neither the airplane nor the telephone would make the list but both Bitcoin and the Bitcoin ATM did, that the creation of recorded media is ignored -- neither photography, phonographs nor motion pictures make the list -- but they find room for three companies (Netflix, Apple iTunes, YouTube) that distribute that media. Telstar didn't make the cut either.
I'm tempted to say something snide about people who rely on Barclays or Business Insider for investing insights, but the inability to have an intelligent, historically literate discussion about technology is not limited to one institution or publication.

Wednesday, April 25, 2018

Apologies, but I'm going to be a bit coy with the title. -- UPDATED

I'd like you to think about the following scenario:

7:30 – – wake up.

7:40 – – have a cup of coffee and some breakfast.

8:00 – – shower.

8:20 – – have another cup of coffee, catch up on paperwork, send out some emails.

And then...


Tuesday, April 24, 2018

"Or help you at the automat"

The fascination with automation was a big part of the late 19th/early 20th century popular imagination.

And they ued to call all vending machines "slot machines."

There, you've learned two things today.









Monday, April 23, 2018

The part about Disney's frozen head, however, is completely accurate

There's a lot of interesting and important stuff to discuss in this article by Derek Thompson, both in terms of the implications of Disney's starting a streaming service and in the ways that Thompson's reporting is shaped and often distorted by the need to adhere to a standard narrative. Unfortunately, I really don't have time to delve into the first at all (maybe later) and, for the moment, I'm just going to look at one particularly egregious paragraph to illustrate the second.
No company has been more responsible for shaping the modern entertainment landscape than Walt Disney. In 1937, with Snow White and the Seven Dwarfs, its first feature film, Disney invented the family blockbuster. In 1954, with Disneyland, an anthology series hosted by Walt Disney himself, it became the first movie studio to strike out for the wild west of television. Since then, Disney’s dominance has only grown. Of the dozen films with the largest worldwide box-office take since 2010, Disney released eight.

While the dates and numbers are correct, pretty much everything else in this paragraph excluding the final sentence is wrong. It is very much the standard narrative and, not coincidentally, one which Disney would very much like you to believe, but it's not the way it happened.

With all due respect to the success and influence of snow white, saying that all Disney invented the family blockbuster is simply silly. Loads of counterexamples here, including the films of arguably the biggest star of the time, Shirley Temple.

 The claim that Disney was the first studio to make a major play for television is even worse. RKO set up a television division in 1944 when the industry consisted of a handful of stations, a full decade before Disney got into the business.  Through its stake in the Dumont network, Paramount had been there since 1946. Warner Bros. had been flirting with the business for years and would finally hit on a tremendously successful slate of TV Westerns shortly after the debut of Disney.

None of this is meant to take away from Disney's remarkable accomplishments in the medium, particularly the unprecedented impact of the Davy Crockett shows, but the version told here is simply bullshit. You can make the case for Walt Disney being the first major film producer in the field (assuming you're fairly specific about “major”) and certainly for the man being a television pioneer, but the standard narrative of innovation, disruption, dominance, simply doesn't fit the facts.

Friday, April 20, 2018

More Retro-future (R.I.P. Chuck McCann)

This sketch from the largely forgotten HBO show Likely Stories (h/t Mark Evanier) hasn't agedd that well -- these things seldom do -- but it has some fun moments and it fits nicely with some of our ongoing threads.


A TRIP TO TOMORROW

Likely Stories: "A TRIP TO TOMORROW" from Imagination Productions on Vimeo.















Thursday, April 19, 2018

Electro-culture

We previously discussed Turn of the Century scientists announcing major discoveries only to have the effect sizes later turn out to vanish entirely. This is probably a better example.




















Wednesday, April 18, 2018

Remember, billboards are the billboards of the 21st Century

We've been over this before (repeatedly). Virtually every story you read or hear about Netflix -- whether it's a review of a new show, an interview with a star, or a report on an award -- is largely the product of a massive PR campaign. One of the key components of that campaign is the relentless carpet-bombing of LA with billboards and bus signs.

Admittedly, everyone plays this game, but not to the same degree. Among the major networks, spending seems inversely related to success. Little for CBS, more for NBC, but none of them spend that much. Certain cable networks (AMC, FX, TNT) maintain a big presence as do the pay channels (HBO et al.). The biggest players per show and perhaps overall are the streaming services with Netflix leading the pack. 

I knew  a huge amount of money was being spent on this, but I didn't realize it was this huge. [emphasis added]

Netflix is offering $300 million to acquire Regency Outdoor Advertising, a company that owns the familiar billboards along Sunset Strip, at Los Angeles International Airport and near the UCLA campus, Reuters reports.

The streaming TV giant plans to increase spending on marketing its original shows and movies to $2 billion this year, amid growing competition from technology companies such as Amazon.com, Facebook and Hulu, as well as from traditional media companies like Disney that are investing in their own streaming services.

Billboards are clearly part of Netflix’s promotional arsenal, with Sunset Boulevard adorned with images touting Stranger Things and The Crown.  Should the transaction be completed, HBO and Showtime would seemingly need to look for other locations to promote its shows.

Tuesday, April 17, 2018

A reply to Kevin Drum

This is Joseph.

Kevin Drum asks:
So why do we expect reading scores to be skyrocketing in the first place? Why do we almost universally refuse to acknowledge that scores are up at all, let alone up a fair amount? Why are we so determined to believe that kids in the past were better educated than kids today, even though the evidence says nothing of the sort? It is a mystery.
My opinion: because there is a lot of money in  education and it won't be possible to "disrupt" education and redirect this money if the current system is doing well.  Notice how there is always a lot of money in being a disruptive company, at least for the top management (see Uber -- it is clear that it pays better to run Uber than it does to run a traditional Taxi service). 

It also moves the goalposts.  If everything is falling apart then it isn't such a crisis if the disrupted industry has teething issues once they strip cash out of it to pay for the heroes who are reinventing the system. 

But if current educational systems are doing well, and slowly improving through incremental change, then it is a lot harder to argue that there is a crisis in education, isn't it? 

Career Thoughts

A few years ago I decided to take some time off and focus on writing. Now, with some big projects either out of the way or nearing completion, I've decided it's a good time to get back into the saddle. I miss the challenge of actually digging into real data and I don't want to let my analytic muscles atrophy.

Most of my experience has been in data mining and predictive modeling primarily with large to very large data sets working in SAS and R with the occasional detour into Python. I've also done some work with text mining and Bayesian networks and would like to explore that area further given the chance.

If you know of a position that sounds like it might be a fit, please contact me at the Gmail address consisting of my first and last name followed by WCSV, no spaces. If you know of someone who might be looking for someone, please feel free to share that contact information.

Thanks and now back to our regularly scheduled blogging.

People in the late 19th century fully expected to be commuting at a hundred miles an hour in the next ten or twenty years...

Remember that. It's going to be important for future discussions.

THE BOYNTON BICYCLE ELECTRIC RAILWAY.  Scientific American 1894/02/17






Monday, April 16, 2018

An excellent/terrible piece of reporting on crypto currency from the New Yorker.

The article does a superb job getting in the heads of the subjects. The details are sharp and informative and the quotes are often unintentionally revealing. The problem is what the piece doesn't reveal, at least not as plainly as it should.

When telling an account of misguided (and in some cases even delusional) people, there's always a bit of a balancing act between the desire to let the story tell itself and the impulse to jump in and point out important facts. The article (also from the New Yorker) on the essential oil industry that we spent quite a bit of time discussing last year did an almost perfect job maintaining this balance. Between the narrative and context, the damning conclusions were all but inescapable.

Perhaps the problem here is length. The piece is simply too short for the nuanced story it needs to tell. As a result, we get a beautifully drawn picture of a group of people pursuing a dream, but no real indication of how unrealistic and even dangerous that dream is.[emphasis added throughout]
Between mid-December and early February, bitcoin lost more than half its value, dropping from a high of nearly twenty thousand dollars to just below seven thousand. Depending on whom you asked, it was either a catastrophe—a portent of things to come—or a rare opportunity. Anthony Pompliano, a venture capitalist who is prone to posting bullish, cryptocurrency-related aphorisms on Twitter (“Bitcoin is the ultimate test of someone’s imagination”), reassured his eighty-three thousand followers that it was almost certainly the latter. “This may be the first real ‘crypto recession,’ ” he wrote. “Those that stick around will be rewarded immensely.”
...

By many counts, “literally every guy in crypto” is pretty much everyone in crypto, at least for the time being. A handful of surveys and studies estimate that women make up somewhere between four and sixteen per cent of cryptocurrency investors. Morin, during her introductory remarks, explained that she had heard the four-per-cent figure over the recent winter holidays, when bitcoin was valued at nearly twenty thousand dollars. Part of the problem, she determined, was a paucity of educational resources for women about the fundamentals, and risks, of investing in cryptocurrencies. “We have an opportunity to rebuild the financial system,” Morin said, quoting Galia Benartzi, the co-founder of Bancor, a cryptocurrency protocol; protocols, like Bitcoin or Ethereum, enable decentralized networks of computers to collaborate in maintaining a shared history of immutable transactions, known as the blockchain. “Are we going to do it with all guys again?”

If your goal is to get more women investing in products like Bitcoin, making them better educated about cryptocurrencies and their risks is the opposite of what you want to do. This is one of those points that would make itself in a more nuanced piece but which needs to be spelled out explicitly here. Pretty much any responsible expert will tell you that, in terms of investment, Bitcoin et al. are likely to crash in the fairly near future and have very little chance of recovering even a fraction of their current value (which already represents a serious drop from the peak value). To leave this detail out is like telling a story of pioneers heading west and not mentioning that their route goes through the Donner Pass.

The brevity and lack of context also means that some of the most interesting historical and cultural aspects of the story are hit upon but not delved into. For instance, there's the growing sense (almost always indicative of a dangerous bubble) that the risks of not investing exceed, perhaps by a great margin, the risk of investing, an attitude you'll seldom see more plainly stated than this [again emphasis added]:

Though the speakers emphasized, for legal reasons, that they were not offering financial advice, the general consensus on how to participate wasn’t particularly novel: buy a little bitcoin (“as much as you feel comfortable never seeing again,” Alexia Bonatsos, a venture capitalist, advised); start experimenting with different wallets (the ways, or places, to securely store one’s public and private keys, used to send and receive currency); and play the long game. Take advantage of resources, such as Linda Xie’s guides to cryptoassets and Laura Shin’s “Unchained” podcast, and ask knowledgeable friends for access to Listservs and online communities—in short, network and Google. (It doesn’t hurt to have some technical know-how; for security reasons, it’s safer to have a hardware or paper wallet than to use the more user-friendly platforms recommended by Morin and Bonatsos, like Coinbase or Robinhood.) “Think, obviously, about the risk of what you’re putting in,” Simpson said. “But really think about what is the risk of not investing, and not learning and not participating. Because I think, over a period of decades, if you invest the time, invest money, and start really participating, you will do well.”

Another interesting notion is the idea that schemes which promise the opportunity for anyone who puts up a moderate amount of money to get rich quick are somehow democratic and, more to the point, that criticizing these schemes is somehow undemocratic. If you go back and read a detailed account of the original exploits of Charles Ponzi, you'll see this was a major theme even then.
There is something utopian, and appealing, about the potential for cryptocurrency to provide an opportunity for more equitable wealth distribution.
...
Cryptocurrency is the closest thing they have to employee equity, itself a speculative asset; it’s their opportunity to be in the right place at the right time. They’re largely writers and academics, activists and artists, even some tech workers looking for a change.

In addition to the standard bullshit stories people tell themselves about implausible get rich quick schemes, cryptocurrencies bring with them all the hype and magical heuristics we would expect from Silicon Valley.

“It just can’t happen that we have another wave of technical innovation happen, and that all of society is not participating,” he said. “I think that means both men and women; I think that means, you know, people in cities and people in rural areas. This technology is so profound, on so many levels, that it feels really important to educate everyone about it.” By his account, it wasn’t just about the money: the blockchain—that ledger of permanently documented exchanges, which is distributed by participants in a given protocol’s network—has far greater implications. He suggested that other transactions could move to the blockchain, eliminating flurries of paperwork, and intermediaries, as well as increasing the digital security and privacy of all parties; he gave the examples of buying real estate and negotiating venture-capital contracts. (In 2017, women-founded companies accounted for just over four per cent of venture capital deals, and received about two per cent of that year’s venture funding, according to Fortune magazine.) And yet speculation about the possibilities of the blockchain have a tendency to turn cypherpunk. “We all use things like social capital, and love, and empathy,” Dave Morin said. “Most of those ways that we interact have not been turned into money, or haven’t been turned into a currency of any kind. It’s the first time in history that we’re taking all these things that have not been a currency in the past, and turning them into currencies that can be exchanged in various different ways.”


The potential applications of block chains, the viability of Bitcoin is a currency, the wisdom of investing in cryptocurrencies, and the vague but powerful sense that these things are portents of a wondrous New Age all get mixed up in complex and often contradictory ways. For instance, the promise that some new cryptocurrency will shoot up in value greatly undercuts the idea that it would make a good medium of exchange, but you will see these statements made side-by-side all the time.

Finally, the story basically ignores the disturbing potential social costs of the Bitcoin bubble. Of course, any time you promote shady, get rich quick investments, you are likely to drive a significant group of people into financial ruin. In this sense, promoting the bubble is a bit like telling poor people to spend more of their income on lottery tickets. There is, however, one important difference. As a rule, at least some of the money collected for a chance at mega millions goes to things like education and infrastructure. That Bitcoin investment  is doing this....
A disused coal power station will reopen to solely power crypto by Swapna Krishna

A closed-down coal plant in Australia's Hunter Valley, about a two-hour drive north of Sydney, is reopening in order to provide inexpensive power for Bitcoin miners. A tech company called IOT Group has partnered with the local power company to revive the power plant and set up cryptocurrency mining operations, called a Blockchain Operations Centre, inside it. This would give the group direct access to energy at wholesale prices.

According to The Age, the Hunter Valley coal power plant was closed back in 2014. Hunter Energy plans to restart the generator in early 2019. The company understands the demands of cryptocurrency mining, and hopes to make the power plant even more attractive to tech companies by adding cleaner energy sources, such as solar power or batteries.

Cryptocurrency mining is an incredibly power-intensive process. It involves using energy hungry computers to solve complex problems, generating intense amounts of heat and using quite a bit of electricity. As a result, miners and mining companies have been on the hunt for inexpensive electricity. Operating from within a coal plant meets that requirement for sure.





Saturday, April 14, 2018

Asking a favor from our regular readers

I realized recently that my networking skills (which weren't that strong to begin with) have atrophied while I've been focusing on writing. As a partial remedy,  I thought I'd invite all of our regulars to connect with me on the big business networking site (the one that starts with an L). Just mention you're a reader of the blog.

Thanks,
Mark

p.s. The following has nothing to do with the post. I just thought we needed a picture. (from Galaxy Magazine June 1951)


Friday, April 13, 2018

"They've given you a number, and taken away your name."

I've been trying to to trace back the origins of the science fiction trope of giving futuristic characters numerical names, usually for dystopian or (in the case of W. H. Auden's Unknown Citizen  a.k..a. JS/07 M 378) satiric effects, particularly of the practice of reducing people to data points. In Auden's poem, it was the bureau of statistics that singled out the modern-day saint. .

However, the earliest example I can come up with was by no means dystopian or saatiric.
Ralph 124C 41+, by Hugo Gernsback, is an early science fiction novel, written as a twelve-part serial in Modern Electrics magazine beginning in April 1911. It was compiled into novel/book form in 1925. While one of the most influential science fiction stories of all time, modern critics tend to pan the novel and few people read it today. The title itself is a play on words, ( 1 2 4 C 4 1 + ) meaning "One to foresee for one another".



 Since we like to close the week on a musical note.






The title quote, by the way, comes from the theme used for the American airings of that show's predecessor.



And, while we're at it, here's the original theme





Thursday, April 12, 2018

In case you were wondering what journalists learned from the Mars One fiasco, the answer is nothing.

Our most recent piece of evidence:



First luxury hotel in space announced

CNN — Want to see 16 sunrises in one day? Float in zero gravity? Be one of the few to have gazed upon our home planet from space?

In just four years' time, and for an astronomical $9.5 million dollars, it's claimed you can.
What's being billed as the world's first luxury space hotel, Aurora Station, was announced Thursday at the Space 2.0 Summit in San Jose, California.

Developed by US-based space technology start-up Orion Span, the fully modular space station will host six people at a time, including two crew members, for 12-day trips of space travel. It plans to welcome its first guests in 2022.

"Our goal is to make space accessible to all," Frank Bunger, CEO and founder of Orion Span, said in a statement. "Upon launch, Aurora Station goes into service immediately, bringing travelers into space quickly and at a lower price point than ever seen before."

...

While a $10 million trip is outside the budget of most people's two-week vacations, Orion Span claims to offer an authentic astronaut experience.

Says Bunger, it has "taken what was historically a 24-month training regimen to prepare travelers to visit a space station and streamlined it to three months, at a fraction of the cost."


Note all the standard elements, the outlandish claims, the ridiculous timeline, the lack of credible supporting evidence, the vague plans compensated for by pretty graphics, the claims of enormous gains in efficiency and cost reduction backed by nothing, all credulously reported.

Recently tourism has come to play much the same role for space boosters that it does for chambers of commerce in economically depressed regions, and for some of the same reasons. There's a simplicity and generality that can almost make it seem like a panacea. We need money so will just get people to pay us to come here. The trouble is, of course, that while there is a great deal of money in being a tourist destination, it is remarkably difficult become one.

With space tourism there's the additional problem of the disconnect between the reality of space travel and the decades of accumulated fantasy. The problem is, in a way, analogous to that described in the This American Life episode "Put a Bow on It." It's not enough to come up with a product that sounds interesting; you have to come up with one that sounds interesting and keeps people coming back.

As we've previously mentioned, when someone who has no relevant experience or specific innovations to point to claims to be able to do something at a fraction of the time and cost, you should generally assume the claims are bullshit until proven otherwise, but even if we take the claims at face value, we are still talking about millions of dollars, months of training, and no guarantee of safety in order to spend a few days in zero gravity and see a truly spectacular view. There are those who would gladly give their life savings for such an experience, but I very much doubt there are enough of these people (at least among those whose life savings could buy the ticket) to make a viable industry.

One of the hard lessons of the Apollo Program was that the novelty wears off quickly. A real plan for exploring space has got to start with a real foundation.